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The Lady in Gold: The Extraordinary Tale of Gustav... |
The spellbinding story--part fairy tale, part suspense--of Klimt's most famous painting, one of the most emblematic portraits of its time: the beautiful, seductive Viennese Jewish salon hostess who sat for it; the notorious, "degenerate'' artist who painted it; the now-vanished turn-of-the-century Vienna that shaped it; and the strange twisted fate that befell it.
| Indice e argomenti trattati |
| | xi | | | Prologue | | xiii | | | | | Adele's Vienna: Poems and Privilege |
| | 3 | | | | 7 | | | | 10 | | | | 13 | | | | 17 | | | | 23 | | | | 26 | | | | 30 | | | | 35 | | | | 41 | | | | 45 | | | | 46 | | | | 50 | | | | 55 | | | | 58 | | | | 61 | | | | 66 | | | | 69 | | | Part Two Love and Betrayal |
| | | | 75 | | | | 77 | | | | 81 | | | | 84 | | | | 88 | | | | 95 | | | The Housepainter from Austria |
| | 99 | | | | 100 | | | | 106 | | | Love Letters from a Bride |
| | 114 | | | | 122 | | | | 128 | | | | 134 | | | | 137 | | | | 137 | | | | 139 | | | | 142 | | | The Last of the Bloch-Bauers |
| | 146 | | | | 147 | | | | 150 | | | | 152 | | | | 155 | | | | 160 | | | | 163 | | | | 164 | | | | 168 | | | Love Letters from a Murderer |
| | 172 | | | | 175 | | | | 176 | | | | 179 | | | | 183 | | | | 185 | | | The Castle of the First Reichsmarschall |
| | 187 | | | | 190 | | | The Man Without Qualities |
| | 192 | | | | 193 | | | | 198 | | | | 199 | | | | 205 | | | | 208 | | | | | | 213 | | | | 220 | | | | 225 | | | | 228 | | | The Search for Provenance |
| | 230 | | | "I Can't Afford for You to Lose" |
| | 235 | | | How Do You Solve a Problem like Maria? |
| | 236 | | | | 237 | | | | 239 | | | | 241 | | | | 243 | | | | 246 | | | | 250 | | | | 254 | | | | 256 | | | | 261 | | | | 268 | | | | 272 | | | | 276 | | | | 285 | | | | 289 | | | Acknowledgments | | 297 | | | Notes | | 299 | | | Selected Bibliography | | 333 | | | Index | | 339 | |
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