| Foreword | | xx | |
| Introduction | | xxii | |
| Book and DVD contents | | xxiii | |
| Photoshop for Photographers website | | xxiii | |
| Acknowledgments | | xxiv | |
| What's New in Adobe Photoshop CS3 |
| | 1 | |
| | 2 | |
| | 4 | |
| | 4 | |
| | 6 | |
| New Brightness and Contrast |
| | 7 | |
| Black & White adjustments |
| | 8 | |
| | 9 | |
| | 10 | |
| Clone Source palette and options |
| | 11 | |
| Blending multiple images with Stacks |
| | 12 | |
| New Smart Object features |
| | 14 | |
| | 14 | |
| | 16 | |
| | 16 | |
| | 18 | |
| | 19 | |
| | 20 | |
| | 22 | |
| | 22 | |
| | 23 | |
| | 25 | |
| | 26 | |
| | 30 | |
| | 30 | |
| The image document window |
| | 32 | |
| Title bar proxy icons (Macintosh) |
| | 33 | |
| Managing document windows |
| | 34 | |
| | 35 | |
| | 35 | |
| | 36 | |
| | 36 | |
| | 38 | |
| Customizing the menu options |
| | 39 | |
| | 39 | |
| | 42 | |
| | 42 | |
| | 42 | |
| | 43 | |
| | 43 | |
| Desktop printer resolution |
| | 44 | |
| | 44 | |
| The relationship between ppi and Ipi |
| | 45 | |
| | 47 | |
| | 48 | |
| | 49 | |
| | 49 | |
| | 49 | |
| | 49 | |
| Bicubic interpolation methods |
| | 50 | |
| | 50 | |
| | 50 | |
| | 50 | |
| Converting raw data into pixels |
| | 52 | |
| Photoshop CS3 Tools palette |
| | 54 | |
| | 56 | |
| | 57 | |
| | 58 | |
| | 60 | |
| | 62 | |
| | 63 | |
| | 64 | |
| | 65 | |
| | 66 | |
| | 66 | |
| | 67 | |
| | 68 | |
| | 70 | |
| | 71 | |
| | 72 | |
| Layer selection using the move tool |
| | 72 | |
| Navigation and information tools |
| | 74 | |
| | 75 | |
| | 75 | |
| History settings and memory usage |
| | 76 | |
| | 78 | |
| Use of history versus undo |
| | 78 | |
| | 79 | |
| | 80 | |
| | 81 | |
| | 82 | |
| | 82 | |
| Opening and saving images from Bridge |
| | 84 | |
| | 86 | |
| | 87 | |
| Save As... and Save a Copy |
| | 88 | |
| | 89 | |
| Photoshop native file format |
| | 89 | |
| PSB (Large Document Format) |
| | 90 | |
| TIFF (Tagged Image File Format) |
| | 90 | |
| | 92 | |
| | 93 | |
| | 96 | |
| | 97 | |
| | 98 | |
| | 98 | |
| | 98 | |
| | 99 | |
| | 100 | |
| Display calibration and profiling |
| | 102 | |
| | 104 | |
| Do you want good color or just OK color? |
| | 106 | |
| Calibration using a third-party calibrator |
| | 108 | |
| Color management settings |
| | 110 | |
| | 111 | |
| | 112 | |
| | 113 | |
| | 113 | |
| | 115 | |
| | 116 | |
| | 116 | |
| | 119 | |
| RAM memory and scratch disks |
| | 120 | |
| Enhancing memory and performance |
| | 121 | |
| | 121 | |
| | 123 | |
| | 123 | |
| | 124 | |
| | 124 | |
| | 124 | |
| | 125 | |
| | 126 | |
| | 126 | |
| | 127 | |
| | 128 | |
| | 129 | |
| | 130 | |
| | 131 | |
| | 132 | |
| Basic Pixel Image Editing |
| | 133` | |
| Image capture and file output |
| | 134 | |
| | 135 | |
| | 136 | |
| 16 bits per channel support |
| | 138 | |
| 16-bit and color space selection |
| | 139 | |
| | 141 | |
| Levels after a conversion |
| | 144 | |
| Fine-tuning the endpoints |
| | 146 | |
| | 148 | |
| Preserving the highlight detail |
| | 150 | |
| Cutouts against a white background |
| | 150 | |
| | 152 | |
| Using Curves in place of Levels |
| | 154 | |
| Using Curves to improve contrast |
| | 156 | |
| Curves luminance and saturation |
| | 156 | |
| Saving and loading curves |
| | 158 | |
| | 159 | |
| Manipulating portions of a curve |
| | 161 | |
| Improved Brightness and Contrast |
| | 162 | |
| | 164 | |
| Basic color balancing with Levels |
| | 165 | |
| | 166 | |
| Color correction with Levels or Curves |
| | 168 | |
| Precise color correction using Curves |
| | 170 | |
| | 174 | |
| Correcting shadow and highlight detail |
| | 176 | |
| | 176 | |
| | 176 | |
| | 177 | |
| | 179 | |
| | 179 | |
| | 180 | |
| Improving the midtone contrast |
| | 183 | |
| Removing noise from an image |
| | 186r | |
| Reducing film grain noise |
| | 187 | |
| | 188 | |
| Advanced mode noise reduction |
| | 189 | |
| | 190 | |
| | 193 | |
| Saving Reduce Noise settings |
| | 193 | |
| | 194 | |
| | 195 | |
| | 197 | |
| | 197 | |
| | 198 | |
| | 198 | |
| | 199 | |
| | 199 | |
| | 200 | |
| | 200 | |
| | 202 | |
| Sharpening for the image source |
| | 203 | |
| Which sharpen settings to use |
| | 205 | |
| Sharpening for smooth edge content |
| | 209 | |
| | 213 | |
| Third-party sharpening plug-ins |
| | 213 | |
| | 214 | |
| | 215 | |
| Advanced Smart Sharpen mode |
| | 216 | |
| | 217 | |
| | 218 | |
| | 220 | |
| | 221 | |
| | 222 | |
| | 223 | |
| | 224 | |
| Camera Raw Image Processing |
| | 225 | |
| | 226 | |
| | 226 | |
| Raw is the digital negative |
| | 227 | |
| | 227 | |
| | 228 | |
| | 229 | |
| Getting raw images into Photoshop |
| | 231 | |
| | 231 | |
| Importing images via Photo Downloader |
| | 232 | |
| | 237 | |
| Importing images via other programs |
| | 241 | |
| Importing images via Lightroom |
| | 242 | |
| Basic Camera Raw image editing |
| | 245 | |
| Working with Camera Raw and Bridge |
| | 246 | |
| General controls for single file opening |
| | 248 | |
| General controls for multiple file opening |
| | 250 | |
| Image browsing with Camera Raw |
| | 252 | |
| | 254 | |
| | 255 | |
| Basic image adjustment procedure |
| | 258 | |
| | 260 | |
| | 262 | |
| | 263 | |
| Image effects using the Point Curve editor |
| | 265 | |
| | 266 | |
| Removing noise using multiple exposures |
| | 268 | |
| | 270 | |
| Camera Raw black and white conversions |
| | 271 | |
| | 272 | |
| | 273 | |
| | 274 | |
| | 275 | |
| The ACR Calibrator script |
| | 276 | |
| Using Camera Calibration to distort colors |
| | 278 | |
| | 280 | |
| | 281 | |
| | 282 | |
| | 283 | |
| Saving and applying presets |
| | 284 | |
| Copying and synchronizing settings |
| | 285 | |
| 32-bit editing and High Dynamic Range |
| | 286 | |
| | 286 | |
| Fine-tuned Image Corrections |
| | 291 | |
| | 292 | |
| | 293 | |
| Multiple adjustment layers |
| | 295 | |
| | 296 | |
| Luminosity and Color blending modes |
| | 298 | |
| Fine-tuned color adjustments |
| | 300 | |
| | 300 | |
| Arbitrary Map mode curve editing |
| | 301 | |
| Matching color and lighting across images |
| | 302 | |
| | 304 | |
| Match Color auto adjustments |
| | 304 | |
| Coloring effects with Match Color |
| | 304 | |
| | 306 | |
| | 308 | |
| | 309 | |
| | 310 | |
| Adjusting out-of-gamut colors |
| | 310 | |
| The essential adjustment tools |
| | 310 | |
| | 312 | |
| | 313 | |
| Alternative history brush spotting technique |
| | 316 | |
| | 318 | |
| | 320 | |
| | 322 | |
| Clone and healing sample options |
| | 323 | |
| | 324 | |
| | 326 | |
| | 330 | |
| | 334 | |
| Adding lightness and contrast to the eyes |
| | 334 | |
| Repair work using a copied selection |
| | 336 | |
| | 337 | |
| | 338 | |
| | 339 | |
| | 340 | |
| | 340 | |
| | 344 | |
| | 346 | |
| | 347 | |
| | 347 | |
| | 348 | |
| Vanishing Point planes and measurements |
| | 352 | |
| Layers, Selections and Masking |
| | 354 | |
| | 355 | |
| | 355 | |
| | 356 | |
| | 357 | |
| | 357 | |
| Selections, alpha channels and masks |
| | 359 | |
| | 360 | |
| Expanding and shrinking selections |
| | 361 | |
| Anti-aliasing and feathering |
| | 362 | |
| | 362 | |
| | 363 | |
| | 364 | |
| Drawing paths with the pen tool |
| | 364 | |
| Guidelines for drawing pen paths |
| | 364 | |
| | 366 | |
| | 367 | |
| | 367 | |
| | 368 | |
| | 368 | |
| | 368 | |
| | 368 | |
| | 371 | |
| | 371 | |
| | 372 | |
| | 373 | |
| Working with multiple layers |
| | 375 | |
| | 375 | |
| Layer selection and linking |
| | 378 | |
| | 380 | |
| | 381 | |
| | 381 | |
| | 381 | |
| | 381 | |
| | 381 | |
| | 382 | |
| Advanced Blending options |
| | 388 | |
| | 390 | |
| Multiple raw conversions of an image |
| | 394 | |
| | 397 | |
| Layer blending to remove objects |
| | 398 | |
| | 402 | |
| | 404 | |
| | 405 | |
| Transforming selections and paths |
| | 405 | |
| | 406 | |
| | 408 | |
| | 410 | |
| | 412 | |
| | 414 | |
| | 416 | |
| Masking an object with a vector path |
| | 416 | |
| | 422 | |
| | 431 | |
| | 431 | |
| Working with the quick selection tool |
| | 432 | |
| | 434 | |
| | 436 | |
| | 441 | |
| Applying layer styles to image layers |
| | 441 | |
| | 442 | |
| | 444 | |
| | 445 | |
| | 447 | |
| Black and white from color |
| | 448 | |
| | 451 | |
| Adjustment layer split toning |
| | 453 | |
| Black and white solarization |
| | 454 | |
| | 456 | |
| | 458 | |
| | 461 | |
| | 461 | |
| | 461 | |
| Channel Mixer color adjustments |
| | 466 | |
| | 468 | |
| Hand coloring a photograph |
| | 470 | |
| | 472 | |
| Adding a border to an image |
| | 473 | |
| | 474 | |
| | 475 | |
| | 476 | |
| | 476 | |
| | 476 | |
| | 476 | |
| | 478 | |
| | 478 | |
| | 478 | |
| | 481 | |
| | 481 | |
| | 481 | |
| | 482 | |
| | 482 | |
| Applying Lens Blur to a composite image |
| | 484 | |
| | 486 | |
| | 487 | |
| | 487 | |
| | 487 | |
| Clouds and Difference Clouds |
| | 490 | |
| | 492 | |
| | 493 | |
| Pixel distortions and corrections |
| | 494 | |
| | 494 | |
| | 496 | |
| | 498 | |
| | 500 | |
| | 500 | |
| | 501 | |
| | 502 | |
| | 502 | |
| | 505 | |
| | 506 | |
| | 508 | |
| | 511 | |
| Rotating the thumbnails and preview |
| | 511 | |
| | 512 | |
| | 512 | |
| | 513 | |
| | 514 | |
| | 514 | |
| | 515 | |
| | 517 | |
| Arranging the Bridge contents |
| | 518 | |
| Customizing the panels and content area |
| | 520 | |
| Selecting a Bridge workspace |
| | 522 | |
| Working with multiple windows |
| | 524 | |
| | 525 | |
| | 525 | |
| | 525 | |
| | 526 | |
| | 527 | |
| | 528 | |
| | 528 | |
| | 530 | |
| | 531 | |
| | 532 | |
| Managing images in Bridge |
| | 533 | |
| Image rating and labeling |
| | 534 | |
| | 535 | |
| | 536 | |
| | 537 | |
| | 538 | |
| | 538 | |
| Applying Camera Raw settings |
| | 539 | |
| | 540 | |
| | 540 | |
| | 542 | |
| | 543 | |
| The need for color management |
| | 544 | |
| | 544 | |
| | 546 | |
| | 547 | |
| Output-centric color management |
| | 548 | |
| Profiled color management |
| | 549 | |
| | 550 | |
| The Profile Connection Space |
| | 550 | |
| Choosing an RGB work space |
| | 552 | |
| | 552 | |
| | 552 | |
| | 553 | |
| | 553 | |
| | 553 | |
| | 554 | |
| Calibration and profiling |
| | 555 | |
| | 556 | |
| | 557 | |
| Photoshop color management interface |
| | 559 | |
| | 559 | |
| Color management policies |
| | 560 | |
| Profile mismatches and missing profiles |
| | 560 | |
| Preserve embedded profiles |
| | 561 | |
| | 562 | |
| | 563 | |
| | 564 | |
| | 564 | |
| | 566 | |
| | 567 | |
| | 568 | |
| Reducing the opportunities for error |
| | 569 | |
| | 572 | |
| | 573 | |
| | 574 | |
| | 574 | |
| Use Dither (8-bit per channel images) |
| | 574 | |
| | 574 | |
| Blend RGB colors using gamma |
| | 575 | |
| Customizing the RGB and work space gamma |
| | 576 | |
| | 577 | |
| | 577 | |
| Creating a custom CMYK setting |
| | 577 | |
| | 578 | |
| | 579 | |
| Gray Component Replacement (GCR) |
| | 580 | |
| | 580 | |
| Undercolor Addition (UCA) |
| | 581 | |
| | 581 | |
| Choosing a suitable RGB work space |
| | 583 | |
| | 584 | |
| | 584 | |
| | 584 | |
| | 585 | |
| | 585 | |
| | 588 | |
| | 588 | |
| | 589 | |
| | 589 | |
| | 590 | |
| | 591 | |
| | 592 | |
| Photographic print quality |
| | 592 | |
| | 593 | |
| | 593 | |
| | 594 | |
| | 595 | |
| High Pass filter edge sharpening |
| | 595 | |
| | 597 | |
| | 598 | |
| Ensuring your prints are centered |
| | 599 | |
| | 600 | |
| | 600 | |
| | 602 | |
| System Print dialog settings |
| | 604 | |
| System print dialog options |
| | 605 | |
| Building a custom printer profile |
| | 606 | |
| Printing a printer test target |
| | 606 | |
| Getting the most from your printer profiles |
| | 610 | |
| Soft proofing via the display |
| | 611 | |
| Display simulation options |
| | 613 | |
| Color proofing for press output |
| | 614 | |
| CMYK proofing with an inkjet |
| | 615 | |
| Simulation and rendering intents |
| | 616 | |
| | 617 | |
| Sending images over the Internet |
| | 618 | |
| | 618 | |
| | 619 | |
| | 621 | |
| | 621 | |
| Choosing the right compression type |
| | 623 | |
| | 625 | |
| | 626 | |
| PNG (Portable Network Graphics) |
| | 626 | |
| | 627 | |
| | 630 | |
| | 632 | |
| | 633 | |
| Adding a copyright watermark |
| | 634 | |
| | 636 | |
| | 642 | |
| | 643 | |
| Custom keyboard shortcuts |
| | 644 | |
| | 646 | |
| | 647 | |
| | 647 | |
| | 648 | |
| | 650 | |
| | 651 | |
| | 651 | |
| | 652 | |
| | 654 | |
| | 655 | |
| | 655 | |
| | 656 | |
| | 657 | |
| Crop and Straighten Photos |
| | 657 | |
| | 657 | |
| | 658 | |
| Photomerge in Interactive layout mode |
| | 660 | |
| | 664 | |
| Export Transparent Image and Resize Image |
| | 665 | |
| | 666 | |
| Remote profiling for RGB printers |
| | 679 | |
| Pixel Genius PhotoKit plug-in discounts |
| | 680 | |
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