|  |
The Jew in the Art of the Italian Renaissance |
Dana E. Katz reveals how Italian Renaissance painting became part of a policy of tolerance that deflected violence from the real world onto a symbolic world. While the rulers upheld toleration legislation governing Christian-Jewish relations, they simultaneously supported artistic commissions that perpetuated violence against Jews.
| Indice e argomenti trattati |
| List of Illustrations | | ix | | | Introduction: Princes, Jews, and the Rhetoric of Tolerance | | 1 | | | 1. The Contours of Tolerance and the Corpus Domini Altarpiece in Urbino | | 16 | | | 2. The Politics of Persecution in Quattrocento Mantua | | 40 | | | 3. Slaying Synagoga in Estense Ferrara | | 69 | | | 4. The Jew, the Madonna, and the Mob in Republican Florence | | 99 | | | 5. Searching for Simon in Trent and Beyond | | 119 | | | Conclusion | | 158 | | | Notes | | 161 | | | Bibliography | | 199 | | | Index | | 219 | | | Acknowledgments | | 227 | |
|
| I più venduti: Art - European |
|
|