Magician's own Boox, since the black art, as in lessen lightened ages the practice of all these innocent and interesting feats was termed, is not yet as popularly understood in this country as it is abroad. There is a charm in legerdemain, or sleight of hand, that all, whether young or old, can readily appreciate. There is a mystery in it that piques the understanding as well as provokes the curiosity of the Spectator. If the trick be executed with address, it excites our admira tion; and the simpler it appears, the more it engages our fancy and fascinates our attention. And it is not only when we are mystified in public, cajoled in great saloons, and in the presence of crowds, that these effects are developed. They are called forth by the performances even of some humble artist in the family circle, whose ingenuity of mind has enabled him to gather up the more available of these prac tical puzzles. It would seem, therefore, a useful thing to place this source of harmless amusement within the reach of all who can relish its eccentricities, and instead of leaving it in the hands of professors, as a pecuniary speculation, to enable the domestic group to master and enjoy it in all its ever-varying phases of novelty and gratification. To do this is what the publishers propose in the issue of this volume; and they ﬂatter themselves, that if carefully studied, it will prepare the Young Conjuror to convert the parlor, at any desirable moment, into a place of genuine entertainment for himself and his companions, and ample repay him for the little time and thought he may devote to the acquisition of the necessary skill and dexterity. Sleight of hand, magic, necromancy, &c., are all terms of art applicable to the same series of performances. The parlor student.