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Any foreword that I can write to your play, Miss Lulu Bett, must be addressed to you, and others must read it, if at all, over your shoulder. As an artist you are, of course, not interested in definitions, being absorbed rather in always nearer and nearer approximations; but I shall not, on that account, forbear to remark how much your novel, and the play that followed it, have widened the practice of the arts that they represent.
As a matter of fact, if one would understand your novel, one must think of it in terms of dramatic art. It is a commonplace to say that this novel marks a turning point in your art. But perhaps it is not a commonplace to say that if we look back over the road you have traveled we shall find a theater at the crossroads.
Are we then to consider the play in the light of the technique of fiction? By no means!