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Collected Stories
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I WAS not aware at first of the many discussions which had gone on about that window. It was almost opposite one of the windows of the large old-fashioned drawing-room of the house in which I spent that summer, which was of so much importance in my life. Our house and the library were on opposite sides of the broad High Street of St Rule's, which is a fine street, wide and ample, and very quiet, as strangers think who come from noisier places; but in a summer evening there is much coming and going, and the stillness is full of sound--the sound of footsteps and pleasant voices, softened by the summer air... Though she was an old lady (perhaps because she was so old) she was very tolerant, and had a kind of feeling for me. She never said a word, but often gave me a smile when she saw how I had built myself up, with my books and my basket of work. I did very little work, I fear—now and then a few stitches when the spirit moved me, or when I had got well afloat in a dream, and was more tempted to follow it out than to read my book, as sometimes happened. At other times, and if the book were interesting, I used to get through volume after volume sitting there, paying no attention to anybody. And yet I did pay a kind of attention. Aunt Mary’s old ladies came in to call, and I heard them talk, though I very seldom listened; but for all that, if they had anything to say that was interesting, it is curious how I found it in my mind afterwards, as if the air had blown it to me. They came and went, and I had the sensation of their old bonnets gliding out and in, and their dresses rustling; and now and then had to jump up and shake hands with some one who knew me, and asked after my papa and mamma. Then Aunt Mary would give me a little smile again, and I slipped back to my window. She never seemed to mind. My mother would not have let me do it, I know. She would have remembered dozens of things there were to do. She would have sent me up-stairs to fetch something which I was quite sure she did not want, or down-stairs to carry some quite unnecessary message to the housemaid. She liked to keep me running about. Perhaps that was one reason why I was so fond of Aunt Mary’s drawing-room, and the deep recess of the window, and the curtain that fell half over it, and the broad window-seat where one could collect so many things without being found fault with for untidiness. Whenever we had anything the matter with us in these days, we were sent to St Rule’s to get up our strength. And this was my case at the time of which I am going to speak.
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2017
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9781537808932

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Margaret Oliphant

(Wallyford, Midlothian, 1828 - Windsor 1897) scrittrice scozzese. Ebbe notevole successo con il ciclo di romanzi Le cronache di Carlingford (Chronicles of Carlingford, 1863-76), che per l’accurata descrizione della provincia inglese conformistica e bigotta ricordano Trollope. Ispirati alla vita scozzese sono i romanzi Merkland (1851) e Kirsteen (1890); mentre alla narrativa del sovrannaturale appartengono i racconti La città assediata (A beleaguered city, 1880) e Un piccolo pellegrino nell’invisibile (A little pilgrim in the unseen, 1882).

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