Chiudi

Aggiungi l'articolo in

Chiudi
Aggiunto

L’articolo è stato aggiunto alla lista dei desideri

Chiudi

Crea nuova lista

Depicting Orthodoxy in the Russian Middle Ages: The Novgorod Icon of Sophia, the Divine Wisdom - Agnes Kriza - cover
Depicting Orthodoxy in the Russian Middle Ages: The Novgorod Icon of Sophia, the Divine Wisdom - Agnes Kriza - cover
Dati e Statistiche
Wishlist Salvato in 0 liste dei desideri
Depicting Orthodoxy in the Russian Middle Ages: The Novgorod Icon of Sophia, the Divine Wisdom
Attualmente non disponibile
138,51 €
-5% 145,80 €
138,51 € 145,80 € -5%
Attualmente non disp.
Chiudi
Altri venditori
Prezzo e spese di spedizione
ibs
138,51 € Spedizione gratuita
disponibile in 7 settimane Non disponibile
Info
Nuovo
Altri venditori
Prezzo e spese di spedizione
ibs
138,51 € Spedizione gratuita
disponibile in 7 settimane Non disponibile
Info
Nuovo
Altri venditori
Prezzo e spese di spedizione
Chiudi

Tutti i formati ed edizioni

Chiudi
Depicting Orthodoxy in the Russian Middle Ages: The Novgorod Icon of Sophia, the Divine Wisdom - Agnes Kriza - cover
Chiudi

Promo attive (0)

Descrizione


The image of Divine Wisdom, traditionally associated with the Sophia Cathedral in Novgorod, is an innovation of the fifteenth century. The icon represents the winged, royal, red-faced Sophia flanked by the Mother of God and John the Baptist. Although the image has a contemporaneous commentary, and although it exercised a profound influence on Russian cultural history, its meaning, together with the dating and localisation of the first appearance of the iconography, has remained an art-historical conundrum. By exploring the message, roots, function, and historical context of the creation of the first, most emblematic and enigmatic Russian allegorical iconography, Depicting Orthodoxy in the Russian Middle Ages deciphers the meaning of this icon. In contrast to previous interpretations, Kriza argues that the winged Sophia is the personification of the Orthodox Church. The Novgorod Wisdom icon represents the Church of Hagia Sophia, that is, Orthodoxy, as it was perceived in fifteenth-century Rus. Depicting Orthodoxy asserts that the icon, together with its commentary, was a visual-textual response to the Union of Florence between the Catholic and Orthodox Churches, signed in 1439 but rejected by the Russians in 1441. This interpretation is based on detailed interdisciplinary research, drawing on philology, art history, theology, and history. Kriza's study challenges some key assumptions concerning the relevance of Church Schism of 1054, the polemics between the Greeks and the Latins about the bread of Eucharist, and the role of the Union of Florence in the history of Russian art. In particular, by studying both well- and lesser-known works of art alongside overlooked textual evidence, this volume investigates how the Christian Church and its true faith were defined and visualized in Rus and Byzantium throughout the centuries.
Leggi di più Leggi di meno

Dettagli

Oxford Studies in Byzantium
2022
Hardback
384 p.
Testo in English
240 x 162 mm
788 gr.
9780198854302
Chiudi
Aggiunto

L'articolo è stato aggiunto al carrello

Chiudi

Aggiungi l'articolo in

Chiudi
Aggiunto

L’articolo è stato aggiunto alla lista dei desideri

Chiudi

Crea nuova lista

Chiudi

Chiudi

Siamo spiacenti si è verificato un errore imprevisto, la preghiamo di riprovare.

Chiudi

Verrai avvisato via email sulle novità di Nome Autore