Leonardo da Vinci

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  • EAN: 9786050416299
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A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description.
Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript.
That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them".
  • Leonardo da Vinci Cover

    (Vinci, Firenze, 1452 - Cloux, Amboise, 1519) pittore, scienziato e scrittore italiano. Trascorse la giovinezza a Firenze, protetto dall’ambiente mediceo. Nel 1482 si trasferì a Milano, alla corte di Ludovico il Moro. Tra il 1500 e il 1516 condusse vita errante: fu attivo a Venezia, a Mantova, a Firenze e ancora a Milano; poi a Roma, stipendiato da Giuliano de’ Medici. Morto Giuliano, sul finire del 1516 accettò l’invito di Francesco I a trasferirsi alla corte di Francia. La selva di appunti (circa 5000 fogli conservati in codici di inestimabile valore) che L. lasciò in margine alla sua prodigiosa attività creativa e sperimentale di pittore, matematico, ingegnere, anatomista, fisico, biologo, geologo, interessano più la storia delle scienze... Approfondisci
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