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An Introduction to Der Ring des Nibelungen

Compositore: Richard Wagner
Direttore: Georg Solti
Interpreti: Deryck Cooke (voce)
Supporto: CD Audio
Numero dischi: 2
Etichetta: Decca
Data di pubblicazione: 9 marzo 2000
  • EAN: 0028944358124
Disco 1
  • 1 1. Of all great musical compositions (Ex.1-4)
  • 2 2. The fundamental symbol (Ex.5-11)
  • 3 3. Returning now to the Nature Motive (Ex.12-16)
  • 4 4. A number of further motives (Ex.17-21)
  • 5 5. A second, much smaller family (Ex.22-25)
  • 6 6. So much for nature (Ex.26-38)
  • 7 7. The cause of the deterioration (Ex.39-44)
  • 8 8. The other transformation (Ex.45-48)
  • 9 9. Several other motives (Ex.49-52)
  • 10 10. Two further motives (Ex.41,53-61)
  • 11 11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8)(Ex.62/8)
  • 12 12. Along another, more complex line (Ex.69-72)
  • 13 13. In Act 2 of "Walküre" (Ex.69,73-75)
  • 14 14. Returning now to Act 2 of "Walküre (Ex.76-79)
  • 15 15. Love is another of the central symbols (Ex.80-83)
  • 16 16. Later in the same scene (Ex.84-87)
  • 17 17. Freia's motive has 2 independent segments (Ex.88-91
  • 18 18. The label "Flight" (Ex.92)
  • 19 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8)
  • 20 20. A little later in this interlude (Ex.99-103)
Disco 2
  • 1 21. The other new motive (Ex.104-09)
  • 2 22. There are several independent love-motives (Ex.110-
  • 3 23. The characters in whose lives (Ex.115-120)
  • 4 24. One further motive belongs (Ex.121)
  • 5 25. The sword motive recurs (Ex.122-130)
  • 6 26. Ironically, this phrase (Ex.131-5)
  • 7 27. Closely associated with Gutrune's motive (Ex.136-40
  • 8 28. Here we come to the end (Ex.141-6)
  • 9 29. Complementary to this symbol (Ex.147-9)
  • 10 30. One last central symbol (Ex.150-7)
  • 11 31. One further motive connected (Ex.158-61)
  • 12 32. There are one or two motives (Ex.162-8)
  • 13 33. These motives of Alberich & Mime (Ex.169-71)
  • 14 34. Quite a number of subsidiary motives (Ex.172-6)
  • 15 35. Besides this family of motives (Ex.177-80)
  • 16 36. Our final example (Ex.10,181-2)
  • 17 37. In the final scene of "Götterdämmerung" (Ex.181-3)
  • 18 38. Even more masterly (Ex.184-8)
  • 19 39. Now if we return (Ex.189-91)
  • 20 40. This masterly way (Ex.192-3)
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