Chiudi

Aggiungi l'articolo in

Chiudi
Aggiunto

L’articolo è stato aggiunto alla lista dei desideri

Chiudi

Crea nuova lista

Stripe PDP Libri EN
The "Jew" in Cinema: From The Golem to Don't Touch My Holocaust - Omer Bartov - cover
The "Jew" in Cinema: From The Golem to Don't Touch My Holocaust - Omer Bartov - cover
Dati e Statistiche
Wishlist Salvato in 3 liste dei desideri
The "Jew" in Cinema: From The Golem to Don't Touch My Holocaust
Disponibilità immediata
16,42 €
-50% 32,84 €
16,42 € 32,84 € -50%
Disp. immediata
Chiudi
Altri venditori
Prezzo e spese di spedizione
ibs
16,42 € Spedizione gratuita
disponibilità immediata disponibilità immediata
Info
Nuovo
Altri venditori
Prezzo e spese di spedizione
ibs
16,42 € Spedizione gratuita
disponibilità immediata disponibilità immediata
Info
Nuovo
Altri venditori
Prezzo e spese di spedizione
Chiudi

Tutti i formati ed edizioni

Chiudi
The "Jew" in Cinema: From The Golem to Don't Touch My Holocaust - Omer Bartov - cover

Descrizione


From cinema's beginnings, the film image of the "Jew" has closely followed the fortunes and misfortunes of Jews. Analyzing more than 70 films made in the Soviet Union, Poland, Hungary, Czechoslovakia and the Czech Republic, East and West Germany, France, Italy, the United States, and Israel from 1920 to the 1990s, noted historian Omer Bartov argues that depictions of the "Jew" in film have been fed by, or have reacted to, certain stereotypical depictions of Jews arising from age-old prejudices. These images, in turn, both reflected public attitudes and helped to shape them. He points to Mel Gibson's film The Passion of the Christ as one of the most recent examples of the phenomenon. In trenchant discussions of individual films, Bartov develops four basic cinematic representations of the "Jew": as perpetrator (especially in antisemitic films), as victim (especially in films about the Holocaust), as hero (especially in films about the state of Israel), and as anti-hero (especially in films about the Arab-Israeli conflict). This absorbing book reveals the ways in which powerful images remained deeply embedded in the creative imagination, even as the circumstances that originally engendered them underwent profound changes. Bartov concludes that some of the fundamental prejudices about Jews, which predate cinema, persisted in cinematic depictions throughout the 20th century, although they have been reinterpreted according to changing political regimes, ideologies, and tastes. Covering a range of traditions and periods, The "Jew" in Cinema provides original and provocative interpretations that often contradict conventional views. Placing cinematic representations of the "Jew" within their historical context, Bartov demonstrates the powerful political, social, and cultural impact of these images on popular attitudes. The Helen and Martin Schwartz Lectures in Jewish Studies
Leggi di più Leggi di meno

Dettagli

The Helen and Martin Schwartz Lectures in Jewish Studies
2005
Paperback / softback
392 p.
Testo in English
235 x 155 mm
671 gr.
9780253217455
Chiudi
Aggiunto

L'articolo è stato aggiunto al carrello

Chiudi

Aggiungi l'articolo in

Chiudi
Aggiunto

L’articolo è stato aggiunto alla lista dei desideri

Chiudi

Crea nuova lista

Chiudi

Chiudi

Siamo spiacenti si è verificato un errore imprevisto, la preghiamo di riprovare.

Chiudi

Verrai avvisato via email sulle novità di Nome Autore