Chiudi

Aggiungi l'articolo in

Chiudi
Aggiunto

L’articolo è stato aggiunto alla lista dei desideri

Chiudi

Crea nuova lista

Stripe PDP Libri EN
Museum Skepticism: A History of the Display of Art in Public Galleries - David Carrier - cover
Museum Skepticism: A History of the Display of Art in Public Galleries - David Carrier - cover
Dati e Statistiche
Wishlist Salvato in 1 lista dei desideri
Museum Skepticism: A History of the Display of Art in Public Galleries
Attualmente non disponibile
31,93 €
31,93 €
Attualmente non disp.
Chiudi
Altri venditori
Prezzo e spese di spedizione
ibs
31,93 € Spedizione gratuita
disponibile in 7 settimane Non disponibile
Info
Nuovo
Altri venditori
Prezzo e spese di spedizione
ibs
31,93 € Spedizione gratuita
disponibile in 7 settimane Non disponibile
Info
Nuovo
Altri venditori
Prezzo e spese di spedizione
Chiudi

Tutti i formati ed edizioni

Chiudi
Museum Skepticism: A History of the Display of Art in Public Galleries - David Carrier - cover
Chiudi

Promo attive (0)

Descrizione


In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment such as popular music and movies.Carrier illuminates the public role of art museums by describing the ways they influence how art is seen: through their architecture, their collections, the narratives they offer museum visitors. He insists that an understanding of the art museum must take into account the roles of collectors, curators, and museum architects. Toward that end, he offers a series of case studies, showing how particular museums and their collections evolved. Among those who figure prominently are Baron Dominique Vivant Denon, the first director of the Louvre; Bernard Berenson, whose connoisseurship helped Isabella Stewart Gardner found her museum in Boston; Ernest Fenollosa, who assembled much of the Asian art collection now in the Museum of Fine Arts, Boston; Albert Barnes, the distinguished collector of modernist painting; and Richard Meier, architect of the J. Paul Getty Center in Los Angeles. Carrier's learned consideration of what the art museum is and has been provides the basis for understanding the radical transformation of its public role now under way.
Leggi di più Leggi di meno

Dettagli

2006
Paperback / softback
328 p.
Testo in English
235 x 156 mm
463 gr.
9780822336945
Chiudi
Aggiunto

L'articolo è stato aggiunto al carrello

Chiudi

Aggiungi l'articolo in

Chiudi
Aggiunto

L’articolo è stato aggiunto alla lista dei desideri

Chiudi

Crea nuova lista

Chiudi

Chiudi

Siamo spiacenti si è verificato un errore imprevisto, la preghiamo di riprovare.

Chiudi

Verrai avvisato via email sulle novità di Nome Autore