Eureka. Ediz. inglese
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Eureka was received poorly in Poe's day and generally described as absurd, even by friends. Modern critics continue to debate the significance of Eureka and some doubt its seriousness, in part because of Poe's many incorrect assumptions and his comedic descriptions of well-known historical minds. It is presented as a poem, and many compare it with his fiction work, especially science fiction stories such as "The Facts in the Case of M. Valdemar". His attempts at discovering the truth also follow his own tradition of "ratiocination", a term used in his detective fiction tales. Poe's suggestion that the soul continues to thrive even after death also parallels with works in which characters reappear from beyond the grave such as "Ligeia". The essay is oddly transcendental, considering Poe's disdain for that movement. He considered it his greatest work and claimed it was more important than the discovery of gravity.
Eureka is Poe's last major work and his longest non-fiction work at nearly 40,000 words in length. The work has its origins in a lecture Poe presented on February 3, 1848, titled "On The Cosmography of the Universe" at the Society Library in New York. He had expected an audience of hundreds; only 60 attended and many reportedly were confused by the topic. Poe had hoped the profits from the lecture would cover expenses for the production of his new journal The Stylus. Some reviews in the contemporary press offered lavish praise for the lecture while others critiqued it harshly.