Landscapes of Desire in the Poetry of Vittorio Sereni

Francesca Southerden

Anno: 2012
Rilegatura: Hardback
Pagine: 308 p.
Testo in English
Dimensioni: 222 x 147 mm
Peso: 522 gr.
  • EAN: 9780199698455
pagabile con 18App pagabile con Carta del Docente

Articolo acquistabile con 18App e Carta del Docente

€ 95,53

€ 98,48

Risparmi € 2,95 (3%)

Venduto e spedito da IBS

96 punti Premium

Disponibile in 4/5 settimane

Quantità:
Descrizione
Landscapes of Desire in the Poetry of Vittorio Sereni is the first book-length study in English on Vittorio Sereni (1913-83), one of the major figures of Italian twentieth-century poetry. It argues that a key innovation of Sereni's poetry is constituted in the way in which, from Frontiera [Frontier] (1941) to Stella variabile [Variable Star] (1981), he reworks the boundaries of poetic space to construct a lyric 'I' radically repositioned in the textual universe with respect to its predecessors: an 'I' that is decentred, in limine, and struggles to subordinate the world to its point of view. Through an interdisciplinary framework that bridges psychoanalytic, linguistic, and poetic theory, two main dimensions of Sereni's work are revisited and reassessed. The first is the role of liminality, which is presented as a condition of writing and as the mark of a desiring subject whose most desired object is the complete poem or total identity that elude him. The second is Sereni's relationship to the Italian poetic tradition, including Dante, Petrarch, Leopardi, and Montale, who mediate his contact with a textual beyond that slips further and further from view. The study maps, through close-reading, the poet's evolving use of deictic reference (spatio-temporal coordinates, demonstratives, personal pronouns) and the progressive transformation of the poem into a place of frustrated desire that occludes fulfilment. It argues that Sereni's particular brand of experimentalism develops from this point and that he represents a unique moment in the history of twentieth-century Italian poetry in the way in which he adapts pre-existing models of lyric discourse to new modes of expression.